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“Because the majority of my work is commissioned, it’s inspired by where it’s being installed, who’s going to be experiencing it, where they’re coming from and how the building is being used,” she says.
September 10, 2010 by Mike Welton

Nancy Gong: Works in Glass for Architectural Spaces

There she found a remodeled and redesigned foundry that still produces smalti, or enameled glass, the same way it did a century ago.
September 3, 2010 by Mike Welton

For Mosaic Artist Julie Richey, a Salon and Studio in Venice

LaFarge would go on to illustrate books by Tennyson and Browning, and paint his first mural for Trinity Church in Boston.
August 20, 2010 by Mike Welton

Stained Glass in Three Dimensions by John Lafarge

There’s superficiality connected to them, as though they’re simply applied to the surface of a building and don’t affect its function at all.
August 10, 2010 by Mike Welton

Paul Anderson and the Architecture of Patterns

“I was in New York in the early ‘70s,” he says. “I was a television and radio journalist, on NBC, ABC and NPR. I had my own talk show on WRVR radio.”
July 28, 2010 by Mike Welton

Artist Daniel Mack Tells His Stories in Three Dimensions

Then they came back for the chairs.
July 16, 2010 by Mike Welton

In Vermont, Clients as Friends and Friends as Clients

Before that, he’d been practicing architecture in California and Wyoming for twenty years.
July 14, 2010 by Mike Welton

Curtis Olson is an Architect Who’s Turned to Art

When their parents moved to Pasadena for health reasons in 1893, the brothers followed, setting up their architecture practice a year later.
July 7, 2010 by Mike Welton

Greene & Greene: Taking the Edge Out of Arts & Crafts

He’d been working as a barber’s apprentice in Atlanta.
June 22, 2010 by Mike Welton

From Artist Cedric Smith, Colors to Grab Your Attention

It features an essay by artist and agricultural activist Fritz Haeg, who tagged it all “a handsome piece of pragmatic poetry.”
June 21, 2010 by Mike Welton

Interviews and Essays in ‘Above the Pavement – the Farm’

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