Sunday, August 2, 2009

Sense of Arrival in Raleigh

When defining a city, the sense of arrival is crucial, not only does it signify the arrival itself but it defines the boundaries of a city. The first impression plays a significant role in shaping our opinions of each city as a place and helps to inform us about its identity. This is an analysis of the sense of arrival into downtown Raleigh from the southeast. (McDowell Street / NC Hwy 50).

The McDowell St. corridor offers us the signature view of the Raleigh skyline. While different than that from the Boylan bridge, it is unquestionably one of the City's best. The road, while busy, seems more like a parkway than a highway with it's winding path and well landscaped median. In the distance a city of Raleigh sign marks the arrival.

A wooded threshold clearly delineates the urban core boundary, rather than letting the development spill out. In many cities this threshold is a veritable no man's land, often heavily littered and marking a poor entry to downtown. The entry to Raleigh's urban core is well-maintained and deliberately designed to heighten the experience.

The Convention Center sits prominently at the crest of the hill and through it's placement, strongly anchors the southeast corner of downtown Raleigh. Designer's clearly understood the meaning of the site when planning for the convention center, the corner detail appropriately addresses the corner condition.

The "shimmer wall" on the west side of the convention center provides a positive face to the street. The building serves as both an iconic structure, which is well worth visiting, as well as the face of "New" Raleigh and therefore allows for a sense of intrigue among visitors, which every city needs.

Street trees and furniture serve as amenities in the pedestrian environment. While enhancing both beauty and safety they also significantly increase the walkability of downtown.

The vacant lot immediately west of the convention center, for which the city is generating plans for a park and outdoor amphitheater among other things. In the distance, the south side of a new Wake County public parking garage. This elevation, primarily clad in a brick veneer, cleverly disguises the fact that this is a parking garage, which is done successfully throughout the city. The perforations allow for natural ventilation through the garage, but also form an engaging facade to the street. This has got to be one of the best looking parking garage elevations around.

The east elevation is not nearly as successful as the southern elevation. Hopefully, there are future plans for some sort of cladding, or future development of this elevation. What I don't understand is why this elevation isn't designed similarly to the southern side of the building, allowing natural ventilation to pass through the entire structure. Where the southern elevation successfully addresses the street, this drab concrete wall acts as a black eye to what is otherwise a successful entrance to the city on the east side, as well as the north side.

If a street wall were a smile, the entrance into Raleigh is missing a few teeth. The undeveloped lot west of the convention center is unattractive, but hopefully that will soon be remedied. The underutilized Enterprise rental car office and adjacent enormous surface parking lot will need to be addressed, sooner rather than later. The east side of the public parking garage needs further development. However, what is in place is solid and provides a good foundation for future growth.

Overall Raleigh's downtown is clearly undergoing a major renaissance. Major changes are taking place, many for the good, which will be covered in future posts. The central business district is fairly well delineated and dense growth seems to be contained in the urban core. Clearly the triangle region as a whole is very decentralized, which is a major issue, but this is regarding the density immediately in and around downtown. Urban densities don't yet seem to be encroaching on residential neighborhoods. This isn't to say that all of neighborhoods adjacent to downtown are thriving because they aren't. However, the downtown is fairly well contained, meaning there isn't the typical ring of medium density commercial and industrial uses around the city, uncomfortably integrating with nearby urban neighborhoods. In Raleigh, a fairly distinct threshold delineates the urban core and nearby neighborhoods as distinct and congruous entities.

This entrance into the Capital City promises to have a bright future. The city has done its part in building the foundation, and setting the standard for further development of this important corridor into Raleigh.

Monday, July 27, 2009

Lecture on Wednesday Night at BBH Design

(From the AIA website)
AIA Triangle is hosting its second free summer lecture on July 29 at 7 p.m. The lecture titled “Architecture Without Architects Clients” will be presented by Associate Professor Wendy Redfield and Assistant Professor David Hill at BBH DESIGN, 8208 Brownleigh Drive in Raleigh.

Please RSVP here.

Sunday, July 26, 2009

Phil Freelon appears on North Carolina People

North Carolina People featured Phil Freelon, of the Freelon Group, on Friday July 24. The interview will re-run Sunday, July 26 at 5:30 PM on UNC-TV
Phil Freelon Video

Saturday, July 25, 2009

N & O Home of the Month

The News and Observer's July edition of the "Home of the Month" was released today. The "Home of the Month" is a collaborative initiative between N & O, and NCSU's College of Design, specifically through the Home Environments Design Initiative (HEDI). This month's article is written by recent NCSU graduate Sarah Corbitt.

The house was designed by Brett Hautop who is a principal at Vernacular Studio and also an NCSU College of Design graduate. Vernacular Studio is located at 530 Hillsborough Street in Raleigh.

The 3,600 square foot Modern Victorian sits prominently on a hill just outside of downtown Raleigh, near historic Oakwood.

Thursday, July 23, 2009

NCARB IDP Seminar

Learn about all things related to the Intern Development Program (IDP) with NCARB's refreshed webinar, "Essential IDP." With the many changes to the program that are being implemented, it is important to have a clear understanding of all the IDP rules and requirements so your experience can be properly documented and counted.

Presented by NCARB's Assistant Directors of IDP, Nick Serfass, AIA, LEED AP, and Rachel Kros, AIA, this webinar will cover everything from important concepts like "direct supervision" to the Six-Month Rule.

Time: 1:00 p.m. EST

Date: 5 August 2009

Cost: Free

Link

Frank Harmon wins National AIA Honor Award

This is old news (April 2009) but it doesn't seem like too many people realize that it happened. The house is featured again in the special awards section of this month's (Aug 2009) issue of Architectural Record.

Good write-up of the award announcement

Frank Harmon's project description

Wednesday, July 22, 2009

Weber House and others up for Historic Landmark

Six potential historic landmarks will be considered by the Raleigh Historic Districts Commission and the City Council Tuesday August 4th at 7:00 pm. From the City's website:

The purpose of the public hearing is to solicit public comment on the historic landmark reports and proposed Raleigh Historic Landmark designations for the following properties:

  • The Bill and Betty Weber House (1953), located at 606 Transylvania Avenue, is an example of Modernist style as designed by local architect William Weber in collaboration with Modernist master George Matsumoto. The structure was built during the postwar period of rapid economic expansion in Raleigh;
  • The Dr. M.T. Pope House (1900), located at 511 S. Wilmington Street, illustrates the presence of a middle and professional class of African-American families along South Wilmington Street. A rare and early example of a front-gable structure of high-quality and stylish workmanship, the house is associated with Dr. M.T. Pope, an African-American physician, and his wife and daughters, each prominent and influential figures in North Carolina;
  • The Lemuel and Julia Delany House (1917), located at 210-212 North State Street in the Idlewild subdivision, is significant for its role in Raleigh's African-American community in the early- and mid-twentieth century. The Classic Revival and Craftsman-style house is associated with physician and business leader Lemuel Thackara Delany and his wife, St. Augustine’s College instructor Julia Amaza (Brown) Delany;
  • The Paul and Ellen Welles House (1956), located at 3227 Birnamwood Road, was designed by Durham architect Kenneth McCoy Scott and built by the Jim Edwards Company. A dramatic and intact example of the Modernist split-level, its design was influenced by the modern design theory taught by professors at North Carolina State University, School of Design;
  • Saint James African Methodist Episcopal Church, (1923) is located at 520 Method Road in the Method neighborhood. The Gothic Revival brick church is an example of the stylish churches that anchored Raleigh’s African-American developed suburban communities from the end of the Civil War through the 1950s.; and,
  • The Truman and Annie Laurie Williams House (1939), located at 910 Harvey Street, is a rare example of the Norman French style in Raleigh and was designed by Jerome Robert Cerny, a noted architect of residential estate homes in the Chicago area. The landscape was designed by Charles F. Gillette, one of the most prominent twentieth century landscape architects of the Southeast.
Following the public hearing, the matter will be referred to the Raleigh Historic Districts Commission to consider final recommendations to the City Council. The City Council may adopt the historic designation at the Sept. 1 meeting.

A quick browse on the internet also produced The Weber House Landmark Application. This application is a very thorough look at the house, with some fantastic images not likely seen anywhere else except to those with access to the house. It's definitely worth a look.

We encourage you to learn more about these houses (search websites such as Triangle Modernist Houses and others), and attend the meeting and ensure the future of these important Raleigh houses.